p If you are looking for Long Dead Gone guitar chords, you've come to the right place. You can play Long Dead Gone by John Wesley Harding using guitar or guitar. This song by John Wesley Harding can also be played by that instruments. =/p p Long Dead Gone guitar chords has rhythm and included in The Name Above the Title (1991) album. You can also find another musical genres, including jazz guitar chords, country music guitar chords, pop guitar chords, world music guitar chords, and rock guitar chords here. /p h3Long Dead Gone by John Wesley Harding Guitar Chords/h3 L O N G D E A D G O N Ebrbrby John Wesley Hardingbrbrfrom The Name Above The TitlebrbrThis file contains two versions:- the first without chord fingering specifiedbrand the second with it.brbrVersion 1:brbrbr------------------------------------------------------------------------------brbrbrL O N G D E A D G O N Ebrbrby John Wesley Hardingbrbrfrom The Name Above The Titlebrbr(chord fingering not specified in this version)brbrKey: A majorbrbr[A] [F#m] [A] [F#m] br[A] It's so easy to [F#m]forgobr[A] It's so hard to for[F#m]getbr[A] It's so hard for to [F#m]realizebr[D] That I'm not dead [Bm]yet[E]br[A] When everything that we [F#m]wantedbr[A] Is beyond beyo[D]ndbr[Bm] And all that I h[E]oped for isbr[D] Long dead g[A]one - alright[E]brbr[A] So how can I [F#m]sleepbr[A] In this memory [F#m]bedbr[A] When I feel like a [F#m]gravebr[D] With a tomb for a [Bm]bed head[E]br[A] With your name and [F#m]my namebr[A] Carved deep in the st[D]onebr[Bm] Now faded aw[E]ay 'cause we'rebr[D] Long dead g[A]onebrWell we're long dead g[E]onebrWe're l[C#]ong d[C#7]ead g[F#m]one - y[E]eahbr[A] Now [E]faded a[F#m]way bec[D]ause we're[E]br[D]Lo-o[A]ng d[E]ead g[A]onebrbr[E] [F#m] [D] [E] [D] [A] [E] br[A] Love lies be[F#m]wilderedbr[A] Checking its [F#m]pulsebr[A] To see if it com[F#m]paresbr[D] To anything [Bm]else[E]br[A] And two things still [F#m]beatingbr[A] Never as [D]onebr[Bm] And one thing lies ch[E]oking 'cause it'sbr[D] Long dead g[A]onebrWell it's long dead g[E]onebrIt's l[C#]ong d[C#7]ead g[F#m]one - y[E]eahbr[A] One th[E]ing lies [F#m]choki[D]ng 'cause it's[E]br[D]Lo-o[A]ng d[E]ead g[A]onebrbr[D] So here rests in piecesbrWhat[A]ever it w[E]asbrThat [F#m]we could adm[D]it tobrF#major BmbrWhatever it wasbrThat was [E]me and youbrbrWhat was me and youbrbrWhat was me and you - yeahbrbr[A] [F#m] [A] [F#m] [A] [F#m] [D] [Bm][E]br[A] So why won't I j[F#m]ustbr[A] Let it die and get [F#m]ridbr[A] Of the truth that we would [F#m]bothbr[D] Would've rather kept [Bm]hid[E]br[A] Better to live a lie[F#m]br[A] Than pretend that you're n[D]otbr[Bm] And live out a l[E]ove which isbr[D] Long dead g[A]onebrWell we're long dead g[E]one - yeahbrWell we're l[C#]ong [C#7]dead [F#m]gone - y[E]eahbr[A] Don't l[E]ive out a l[F#m]ove which [D]is - yeah[E]brL[D]o-o[A]ng d[E]ead g[A]one[E]br[F#m] Never l[D]ive out a l[E]ove which isbrL[D]o-o[A]ng d[E]ead g[A]one[E]br[F#m] Never l[D]ive out a l[E]ove which isbrL[D]o-o[A]ng d[E]ead gone - y[A]eah[E][F#m][D][E][D][A][E]brbr[A] [E] [F#m] [D] [E] [D] br[A] [E] [F#m] [D] [E] [D] [A] brbr T H E E N D brbrChordsbr~~~~~~brAs this version doesn't specify which chord fingerings should bebrused, I haven't included a chord chart. If you want to know thebrfingerings, see the other posting of this song with specifiedbrchords. N.B. F#major is not written as F# purely to make itbrclear that it isn't F#m.brbrbrbr------------------------------------------------------------------------------brbrbrNotesbr~~~~~br1. Learn the song by playing along to the album track.brbr2. Feel free to use different versions of the same chord or slighltybrdifferent varieties of the same one to colour your music. Forbrexample, I use a Dsus2 to link the D and Bm chords in the 4th linebrof the 1st, 2nd, 3rd and 5th sections.brbr3. If you don't want to use these linking chords (such as the Dsus2'sbrall through this CRD, you needn't).brbr4. If you're new to barre chords, and would rather stick to open onesbryou could transpose the tune to the key of G major, which involvesbrshifting all chords done by a tone:brThis version: Transposed to G major:br[A] [G]br[F#m] [Em]br[D] [C]br[Bm]C# amp; C#7 [Am]B7 should be okaybrF#major Emajor (just plain E)brIf you want to do this and have a capo, putting it on the 2nd fretbrwill get you in tune with the album track.brbr6. A big thankyou (THANKYOU) to Alan Pulliam for supplying the lyricsbrto Long Dead Gone and Backing Out. They made my job a lot easier.brbr7. Very important this: Have Fun.brbr~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~brbrbr----------------------------------------------------------------------------brbrRyan Harding Applied Optics Group, University of Kent at Canterbury, UK.brbrbr----------------------------------------------------------------------------brbrNow no-one's sitting on the fence, whose garden will we end up sitting in?br- John Wesley Harding, The Person You Are from The Name Above The Titlebrbrbr----------------------------------------------------------------------------br------------------------------------------------------------------------------brbrbrL O N G D E A D G O N Ebrbrby John Wesley Hardingbrbrfrom The Name Above The Titlebrbr(This version gives specific chord fingering)brbrKey: A majorbrbr[A] [F#m] [A] [F#m] br[A] It's so easy to [F#m]forgobr[A] It's so hard to for[F#m]getbr[A] It's so hard for to [F#m]realizebr[D] That I'm not dead [Bm]yet[E]br[A] When everything that we [F#m]wantedbr[A] Is beyond beyo[D]ndbr[Bm] And all that I h[E]oped for isbr[D] Long dead g[A]one - alright[E]brbr[A] So how can I [F#m]sleepbr[A] In this memory [F#m]bedbr[A] When I feel like a [F#m]gravebr[D] With a tomb for a [Bm]bed head[E]br[A] With your name and [F#m]my namebr[A] Carved deep in the st[D]onebr[Bm] Now faded aw[E]ay 'cause we'rebr[D] Long dead g[A]onebrWell we're l[D]ong [Dsus2]dead [E]gon[E]ebrWell we're l[C#]ong d[C#7]ead g[F#m]one - y[E]eahbr[A] Now [E]faded a[F#m]way bec[D]ause [Dsus2]we're[E]br[D]Lo-o[A]ng d[E]ead g[A]onebrbr[E] [F#m] [D] [E] [D] [A] [E] br[A] Love lies be[F#m]wilderedbr[A] Checking its [F#m]pulsebr[A] To see if it com[F#m]paresbr[D] To anything [Bm]else[E]br[A] And two things still [F#m]beatingbr[A] But never as o[D]nebr[Bm] And one thing lies ch[E]oking 'cause it'sbr[D] Long dead g[A]onebrWell it's l[D]ong [Dsus2]dead [E]gon[E]ebrWell it's l[C#]ong d[C#7]ead g[F#m]one - y[E]eahbr[A] One th[E]ing lies [F#m]choki[D]ng '[Dsus2]cause it's[E]br[D]Lo-o[A]ng d[E]ead g[A]onebrbr[D] So here rests in piecesbrWhat[A]ever it w[E]asbrThat [F#m]we could adm[D]it tobrF#major BmbrWhatever it wasbrThat was [E]me and youbrbrWhat was me and youbrbrWhat was me and you - yeahbrbr[A] [F#m] [A] [F#m] [A] [F#m] [D] [Bm][E]br[A] So why won't I j[F#m]ustbr[A] Let it die and get [F#m]ridbr[A] Of the truth that we would [F#m]bothbr[D] Would've rather kept [Bm]hid[E]br[A] Better to live a lie[F#m]br[A] Than pretend that you're n[D]otbr[Bm] And live out a l[E]ove which isbr[D] Long dead g[A]onebrWell we're l[D]ong [Dsus2]dead [E]gone[E] - yeahbrWell we're l[C#]ong [C#7]dead [F#m]gone - y[E]eahbr[A] Don't l[E]ive out a l[F#m]ove which [D]is - [Dsus2]yeah[E]br[Dsus2]Lo-o-o-[A]on[E]g [A] de[E]ad gonebr[F#m] Never l[D]ive [Dsus2]out a [E]love which isbrL[D]o-[A]on[E]g [A]dead gone[E]br[F#m] Never l[D]ive [Dsus2]out a [E]love which isbrL[D]o-[A]on[E]g dead [A]gone [E]- ye[F#m]ah[D][E][D][A][E]brbr[A] [E] [F#m] [D] [E] [D] br[A] [E] [F#m] [D] [E] [D] [A] brbr T H E E N D brbrChords corresponding to the above notationbr~~~~~~brbrA major chord: Abrbrbrbre||---|---|---|---|-1-|---|---- amp; A This is the A-chord fingering used forbrB||---|---|---|---|-1-|---|---- amp; E most of Long Dead Gone (where A is usedbrG||---|---|---|---|-1-|-2-|---- amp; C# rather than A). It uses the root-EbrD||---|---|---|---|-1-|---|-4-- amp; A shape with a barre on the 5th fret.brA||---|---|---|---|-1-|---|-3-- amp; E The fingers are numbered as follows:brE||---|---|---|---|-1-|---|---- amp; A 1 index, 2 middle, 3 ring,brbr4 little finger.brbrF# minor chord: F#m B minor chord: Bmbrbrbrbre||---|-1-|---|---| F# These chords are both e||---|-1-|---|----- amp; F#brB||---|-1-|---|---| C# played with a barre on B||---|-1-|-2-|----- amp; DbrG||---|-1-|---|---| A the second fret, and G||---|-1-|---|-4---- amp; BbrD||---|-1-|---|-4-| F# use root E minor shape D||---|-1-|---|-3-- amp; F#brA||---|-1-|---|-3-| C# and root A minor shape A||---|-1-|---|----- amp; BbrE||---|-1-|---|---| F# respectively. E||---|-1-|---|------ amp; F#brbrbrD major chord: D which is interchangeable with: D major chord (open): Dbrsince treble note is the samebrbrbre||---|-1-|---|---|---| F# e||---|-2-|---------------------- amp; F# In thisbrB||---|-1-|-2-|---|---| D B||---|---|-3-------------------- amp; D version ofbrG||---|-1-|---|---|---| A br p If you want to learn John Wesley Harding Long Dead Gone guitar chords, The 5 chords we'll look at are the C major, A major, G major, E major, and D major. The reason we use all major chords is that the minor versions of any of these chords just require tiny adjustments. Each one of those minor chords is completely based on its major counterpart /p p The more you practice, the easier guitar will feel to play Long Dead Gone. Guitar is hard to learn in the beginning, but gets easier the longer you stick with it. /p